important message to all of my followers

splendidland:

carolimejone:

splendidland:

frognoodle:

splendidland:

weeaboo-chan:

splendidland:

conglomera:

splendidland:

ommanyte:

splendidland:

imalwaysaslutforthevoid:

splendidland:

weeaboo-chan:

splendidland:

kawaii-never-cease:

splendidland:

tid3000:

splendidland:

rintezukas:

splendidland:

agpicklefeet:

splendidland:

sacculetta:

splendidland:

the-faeriedae:

splendidland:

radiation:

splendidland:

bisexualscotty:

splendidland:

straightfromtakkocentral:

splendidland:

darkisthenewlightnow:

splendidland:

amfinwat:

splendidland:

splendidland:

jeweljessica:

splendidland:

you are now all trapped in my vast puzzle dungeon. good luck.

Can I get a hint

HINT MOUSE SAYS: *in a little squeaky voice* collect the silver rod from fabio’s grotto and bring it to the bridge of malice. be sure to talk to “knight doogle” on the way.

*hint mouse scurries away into a nearby hole*

i go to fabios grotto

*you hear the sound of distant strained moaning, followed by the creaking of something getting up from an old wooden chair. something is approaching you.*

FABIO: welcome to my grotto.

I say hello to Fabio, and ask them if they have a Silver rod?

FABIO: silver rod? oh….

*fabio dissappears into his grotto and rummages around in his back room. he is gone for quite some time and hasn’t offered you anything to eat or drink, so you just stand around in his home feeling really awkward. what if he lives with relatives and they come out and say something to you?*

FABIO: sorry that took so long. here’s my silver rod. now that i remember i have it at all, it’s my most treasured posession. you’ll have to offer me something for it

i offer to knit fabio a nice hat, for when the grotto gets drafty in the wintertime.

FABIO: what a wonderful hat. thank you.

I thank Fabio for his help, and leave the Grotto to head for the Bridge of Malice.

*fabio snatches the silver rod back from you and hits you across the room with it like a baseball bat*

FABIO: help??? what help? we never reached a deal. i was simply thanking you for such a lovely hat. i demand more.

i give fabio two shoes made for dancing.

*fabio slips his new dancing shoes on. his socks are a bit wet so it makes a funny fart noise*

FABIO: wonderful boots!
*fabio does an embarrassing dance move with all the coordination of a dead windmill but he’s having fun so you’re encouraging towards him*
FABIO: but…it’s still not enough for me to part with my beloved rod…

I give Fabio a big pair of glasses for his big beautiful eyes. 

FABIO: my magnificent glistening eyes have been magnified by these lovely glasses! i can see my treasured silver rod better than ever now and it’s even more beautiful than i thought. it’ll take something really special for me to part with this..

I go ask Doogle for help

*fabio cackles and waves as you excuse yourself from his grotto, which was easier than expected because fabio seems more interested in the gifts he has recieved than your company at the moment, and head back towards the guard tower you actually passed on your way but didn’t notice until now*

*as you approach the tower, a metal face peeks around the corner*

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KNIGHT DOOGLE: huh? what? who goes there? i left my spear in the tower but if you’re up to no good i will really go back and get it. i’m really tough.

I remove Doogle’s helmet.

*you catch doogle off guard the moment he nervously breaks eye contact with you and lift off his helmet*

KNIGHT DOOGLE: ah! my helmet! i needed that to protect my head from attacks! why did you do that?

*doogle paces around a small radius of a few feet looking very worried*

knight doogle you are beautiful

KNIGHT DOOGLE: huh? oh, thank you, that’s very sweet. but you didn’t have to just take off my helmet like that, you could have asked first. i feel so embarrased now.
*doogle shuffles back to his tower like a sad sneaking tree, and then returns, armed with a spear*

KNIGHT DOOGLE: sorry, i hope this isn’t threatening to you. i have lost all my confidence so i’m just holding this as a comfort item.

Wanna help us Get Fabio’s Silver Rod?

KNIGHT DOOGLE: fabio’s silver rod? he’ll forget about it in a week or two, he always forms fleeting attachments to things. but if you need it sooner rather than later, there’s one thing he has always desired above anything else…all i can tell you about it is that it’s small, yellow, and quite helpful.

we call hint mouse for help

*from a nearby hole, you and doogle both watch a creature, that’s small, yellow, and helpful scamper towards you. it’s the ever so helpful HINT MOUSE!!!*

*a round of applause and cheering is heard*

HINT MOUSE: *in a little squeaky voice* ahem ahem…
it is me, a mouse am i!
i only tell truths and i never lie!
reliable, helpful, and handsome to boot!
for all of your labour, i am the fruit!

*hint mouse looks around, hoping you’re all impressed by his new rhyming speech thing he’s trying out. rhyming is hard for mice because poetry is frowned upon in mouse culture*

I clap politely in appreciation of his speech and ask him if he would like to come visit Fabio with us

HINT MOUSE: thank you, i really appreciate the support. i will happily come and visit fabio with you…oh, sorry, hang on.

*hint mouse clears his throat*

HINT MOUSE: i’m always here for you, that’s my motto.
so i shall accompany you to fabio’s grotto!
you’ve supported me in all my life choices
you’re a lifelong friend to all little…moices!

*he messed up a little at the end, but he did really well, all things considering. you, doogle, and hint mouse arrive again at fabio’s grotto, however the door is closed, though not locked.*

i knock politely and ask if Fabio is home

*your knock on the door echos throughout the surrounding area, and you can hear a familiar voice call to you from inside*

FABIO: come on in…so long as you’re not a greedy thief…yee hee hee…

I smile warmly at hint mouse, look knowingly at knight doogle, and gently push open the door

*the door opens, but it required quite a shove, as it feels like something is in the way. as you step into his grotto, hundreds of items are strewn across the floor.

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FABIO: oh….welcome back…!
since you’ve been gone, people have been laying items at my feet, all to get my beloved silver rod! it must be truly valuable..or truly blessed! as long as i have it, i’ll become the richest man in the caves! gah hah hah!

I turn to hint mouse and ask him to recite Fabio a poem that’ll blow his socks (and newly acquired shoes) off

*hint mouse looks back at you and nods, then leaps from your hand, hopping lightly from object to object across the room. fabio is so engorged on avarice that he’s already forgotten that you entered the room at all.*

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HINT MOUSE: *gets fabios attention by briefly playing on a tiny flute*

the room is silent. hint mouse owns the stage now.

HINT MOUSE: ahem ahem!

you’ve gathered yourself quite a collection!
but now youve…oh…uhh…ah!! (why did i end a verse with “collection”?? this is awful…what should i do?)

I whisper ‘correction…dejection…direction…. affection’ to HINT MOUSE out of the corner of my mouth, with the realization that his hint-giving generosity has taught me how to give hints to others myself

*hint mouse is re-energized with the inspiration he needs to finish his poem*

HINT MOUSE:
you’ve assembled yourself quite a collection!
but i have arrived to give you affection.
your riches are piled right up to the cieling
but deep down i know you suffer with a feeling. (feels awkward but…i can keep going! everyone believes in me!)
you’re cooped up in here and you’re all alone
just yourself, a rod, and an old wooden throne
it doesn’t have to be that way, you don’t have to be bleak
let me introduce myself, i’m hint mouse, squeak squeak!
in exchange for the rod, i’ll be your best friend
a little yellow creature who you can always depend!

*applause is heard yet again, the crowd is going hog wild.*

*fabio takes a gentle tumble down his tower of riches and cradles hint mouse in his arms*

FABIO:
hint mouse…that was beautiful. you’d do all that just to help an old
man? you’re truly the best treasure i could ever ask for, i’ll cherish
our friendship forever…

FABIO: thank you so much all of you. i have no need for material goods anymore. the silver rod is yours to take!

*you obtained the silver rod at last!*

i bring the silver rod to the bridge of malice

*you and doogle leave fabio’s grotto, silver rod in tow. fabio and hint mouse wave goodbye to and live the rest of their lives in peace.*

*as you walk towards malice bridge, doogle turns to you.*

KNIGHT DOOGLE: sorry i didn’t say or do much back there…what happened was really beautiful though.

*knight doogle stops and thinks for a second, his ears and hair sway in the breeze and it looks so cool*

KNIGHT DOOGLE: i’ve spent my whole adult life just guarding my tower selfishly, but people like hint mouse do so much to help others. once this is over i’m going to change my lifestyle, i’ll give up the knight life.

*you enjoy the rest of your walk with doogle, and eventually arrive at malice bridge, which despite the name, is actually pretty ordinary. at the other end of the bridge, light from the surface trickles down, the way out.*

*suddenly, the air around you grows cold, a shiver travels up your spine, and a giant shimmering monster appears out of nowhere*

SILVER GUARDIAN: YOUR JOURNEY IS ALMOST OVER, TRAVELLERS! I AM THE MASTER OF MALICE BRIDGE! HAVE YOU SEEN MY MISSING FINGER ANYWHERE?

present the silver rod (or finger, i guess?) to the silver guardian! ask he how lost it, too, if it proves to be his

*the silver guardian rattles and shakes with glee*

SILVER GUARDIAN: MY FINGER! MY PRECIOUS DIGIT! OH…I LOST IT BECAUSE I WAS POKING AROUND IN MOUSE HOLES LOOKING FOR HINT MOUSE, BUT A LESS HELPFUL MOUSE STOLE IT…

*the silver guardian reattaches its finger, which is gross, so you look away while it does that*

SILVER GUARDIAN: NOW HUMAN….ARE YOU READY TO LEARN THE TRUE PURPOSE OF THE SILVER ROD?

*you tremble as the silver guardian does some really confusing poses with its hand, not entirely sure where it’s going with this.*

SILVER GUARDIAN: HEH HEH HEH….TO CROSS THE BRIDGE YOU GO IN THIS DIRECTION!!!!

*as you cross the bridge to the outside world, the rocky walls of the dungeon give way to fields and forests.at the middle of the bridge, you turn back, and all of your friends are there, and now they are all friends with each other all thanks to you.*

HINT MOUSE: go ahead and be free! meeting you has filled me with glee!
FABIO: you have people waiting for you out there, go and be with them!
DOOGLE: i’ll never forget our adventure, you can keep my helmet to remember me!
SILVER GUARDIAN: I DIDN’T REALLY GET TO KNOW YOU THAT WELL TO BE HONEST BUT YOU SEEM COOL. THANK YOU FOR FINDING MY FINGER!

*you turn around for the last time, and step outside*

THE END

ARTISTS BEWARE

hchano:

Avoid collaborations with dubious monetized YouTube channel GeekyComTV 

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I’ve held my tongue about this channel for almost a month and I can’t frickin’ do it anymore. This is a call out post.


[WHY?]
To make a long story short, this user has been posting videos for over a year now, using miraculous art. Although in some cases he has asked permission to repost, he began monetizing [making money off of] his videos at some point without notifying any of the artists. 

None of the artists agreed to monetization.

@maristoryart is only one of many artists that reported him upon finding the monetization, but for some reason, Geeky has focused on her as the reason his channel is being reported [for a second time at least, since this isn’t the first account he has lost]…

GeekyComTV’s creator has resorted to blackmail, to defamation, to actual threats, and finally to identity theft, in an attempt to bully mari and others into complying with his wishes. 

It’s gross and it is NOT okay.


[^^^ just 20 of the 200+ videos being monetized]

[WHY? part 2: the long version]
And now the entire thing. Strap in and get ready to get real damn mad. And apologies in advance for the lack of a read more, but I need to avoid censorship of this post. So yes, this post is VERY LONG, but this needs to be seen.

For ease of reading, I will do a bullet list+screenshot setup.


  • July 9th, GeekyComTV’s channel is linked amidst 4 others by a discord user on a small ml server. 
  • Geeky’s is shown to be directly monetizing most of the videos.
  • Maristoryart is the only one active at the time whose art is on there, so she reports the videos using her content.
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[censoring names for protection from this creep]

  • A few days later [the 13th], the owner of the channel begins to message Mari via her social media and email
  • He reminds her she gave him permission to post the artwork on his channel and asks why she reported him; he reveals her reports put two strikes on his account
  • He says he will remove the videos if she retracts her claims
  • ^^^ to explain: He has 2 strikes on his account. He counterclaims them, which means he is disputing the strikes and youtube cancels the deletion of the videos. If he deletes the videos now, the strikes remain on his account. If Mari retracts her claims, his account is in the clear.
  • Mari asks for advice from the chat and we unanimously tell her not to retract her claims, since he monetized without notifying her OR ANY OF THE 100+ ARTISTS HE IS STEALING FROM
  • During this conversation, another user who dealt with him previously points out Geeky’s previous channel was shut down for the same reason, so we learn he is a repeat offender
  • Mari ultimately decides to tell Geeky she will not retract her claim due to the monetization of hers and others art without their permission
  • At the same time, I share Geeky’s channel with the main public ml art server and begin to contact artists on tumblr
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[in which a user lets us know geeky tried to find out who ‘told on him’ lol. spoilers: it only matters cos he wanted to send threats and blackmail to the person lol]

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yes, geeky:

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[just one of a few ppl who likely ended up reporting him lol]

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[lol yea that 2 years of hard work putting songs on top of ppl’s art and making money off it, boo hoo lol]

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[^^^ talking about his previous channel, which is deleted now. jan 11 is when the posts about his new [current main] channel started to appear for a while.]


  • Immediately after Mari sends her explanation, Geeky tries to claim he only monetized a month ago
  • Another user calls bs; she had tried to contact him several months prior about removing videos with her art because she didn’t allow monetization
  • Geeky offers to pay Mari the money he made off her work, if she will remove the strikes

  • Geeky begins to message Mari incessantly, repeating that he will pay her
  • He tries to claim it wasn’t he who ‘decided to monetize the videos’ … [note: heartbeat indicates nearly all his videos are monetized by him DIRECTLY, save for one or two, which are monetized by WMG for music used]
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  • Meanwhile, I have gotten in touch with one of the artists on tumblr and explain the situation to them
  • This artist chooses to contact Geeky personally 
  • When this artist asks Geeky to remove the video with their content, he claims he can’t remove any videos until Mari removes her strikes from his account [note: this isn’t how youtube works lol. this is also part of the blackmail aspect]
  • During this convo, Geeky has caught on that artists in this community actually talk to each other and he begins to set his videos to private so that no one else can claim their artwork
  • Thankfully I still have the window with all the videos still loaded, so I begin to send individual urls to the artists i recognize from the thumbnails, so they can remove their work from his channel
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[^screenshot the tumblr artist sent]

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  • The third and final strike on Geeky’s account comes from @ferisae, who sometimes allows dubs, but does not allow monetization
  • Despite being private, Feri still had the URL, so she was able to report her video
  • Geeky emails Feri, saying she made a mistake, she doesn’t want to do this etc
  • Feri clearly tells him she never gave approval for her work to be monetized, and he repeatedly messages her and tries to tell her he wasn’t monetizing, that she is making a big mistake, etc
  • Feri lets him know she has an app that lets her see when a video is monetized and by who, says she won’t talk about it anymore, and blocks him
  • [^ i don’t have screenshots of this exchange, it was relayed on voicechat]
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  • Geeky begins to message all the people who contacted him to remove their art, asking them if they know Feri and Mari, could they message them about the issue, etc etc
  • He begins to message Mari multiple times per day, interrupting her daily life 
  • [she ignores the messages]
  • He also makes a new email account and begins to message Feri again, begging her to resolve this
  • [she ignores him as well]
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[^from the new email to feri. bigger image … pls note the lie about removing the videos. they were all still on private, NOT deleted.]


  • Finally, when no one responds, he resorts to threats [on the 14th and 15th]
  • Mari asks for advice on how to respond, and one of the users in the chat helps her craft an email to send him.
  • We advise her to do what Feri did, to simply block him, but he responds again before she has a chance to and threatens her again
  • Mari is understandably stressed out and logs off for a while
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[^^^ sorry but if simply ignoring your attempts to guilt trip her into removing rightful strikes on ur account isn’t ‘peaceful’, i don’t know what is lol]

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[response ^^^ bigger image]

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[bigger image]

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[bigger image – 

^^^ in which he sends basically the same message twice??? and my, i’m so glad ur a good person because you chose not to hack. much brave, very morals, wow!!

]


  • After seeing this, I am raging, so I start looking into this guy, hoping I can find his family and show them the emails he has been sending to Mari, so maybe they will straighten his ass out 😛
  • I don’t have luck finding his family [aside from a possible sibling], though I do find out where he lives and works
  • I kick it up to a friend of mine [@seibatooth] who digs up a lot more info on him, including work history
  • We learn is a college student from Morocco, who hasn’t held a stable job for more than 6 months
  • I share this all with Mari to reassure her that this guy has no power and to not worry so much lol
  • In light of all this new information, no one responds to him
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[^^^seiba is a boss. again… no one used this information against him, no one contacted him, and it was all obtained by simple google searches.]


  • He is quiet for a few days, then on the 19th, a very badly worded email from Geeky’s “Lawyer” comes
  • It is sent to Feri, Mari, and a Third Artist who did not want to be named in this post
  • It claims he is seeking legal action against all three artists and lists an email, a website, and a linkedin url 
  • A quick search shows this lawyer to be a real person, but that the contact info in the email is incorrect
  • So here, we learn here that Geeky is impersonating Real Lawyer [which is where we get identity theft]
  • Seiba calls Real Lawyer to appraise him of the situation
  • Seiba and Feri then respond to Geeky [on the fake lawyer email] to let him know that Real Lawyer will be contacting him soon
  • When I check on Friday, his account is still up, but monetization appears to be disabled … YAAAAAAAAAAS
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  • Also, the Third Artist who did not want to be named offered some screenshots from an exchange they had with Geeky:
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[Translation: “everyone else is stealing from you so why can’t i????” gross.]

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[^^^in which he pretends to be the lawyer from his own acct……..wowww x’DDD] 


  • The next day [i think? it was during SDCC which was chaotic lol], Real Lawyer calls Seiba
  • Real Lawyer lets her know that he is pursuing legal action against Geeky… fite!

  • Another few days pass and Geeky begins advertising his new channel on instagram
  • In each post, he publicly announces that Mari is the reason he is losing his account, that she doesn’t love the miraculous fandom anymore [????] and that he is just a poor wee bab victim who did no wrong guys really ;0;/
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[about page on his new channel. goo.gl link just makes you directly subscribe to this new channel >>; ugh.]

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[^^^his posts are decently popular]

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[…lol fake claims my butt.]

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[my fave part about this is that he claims mari incited a buncha artists to riot against him, when in actuality it was the fact he was MAKING MONEY ON OUR ART. mari had nothing to do with it, aside from sharing his gross guilt trippy and then THREATNING responses lmao. sorry bruh, u did it to urself.]


[…..sigh.]

Alright, so while I was tidying up everything to post, Geeky actually has done more things I need to post about. Literally in the past 24 hours, heck, in the last HOUR, he is still screwing artists over and taunting everyone about it. I have permission to name a few artists effected, so I will not censor their names here.

  • Today, I found out that Geeky has counter-claimed Mari, Feri and the Third Artist
  • This means his account is still active, despite the previously pending deletion
  • He has turned on monetization again, so he is again making money off everyone’s artwork
  • He is publicly taunting everyone about what he has done
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[^^^ the comment in yellow has since been removed by geeky]

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[^^^ bragging and more threats….also, just lying out his ass. sorry but i have receipts, bruh.]

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[^^^ ANOTHER threat/brag. they deleted this comment pretty much immediately but bbwolf was kind enough to screenshot her activity feed so we can still see it lol. also, like how his time frame keeps changing? interesting lol]

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[^^^ one of the counterclaims, shared by the Third Artist. Geeky’s explanation (the english bit) as to why he’s allowed to make money on someone elses work is that it’s okay that he is making money off ppl’s work cos we didn’t create the characters…… what???  ?????? ? ? ???  also he lives in morroco, so he can’t actually claim fair use because it doesn’t apply to him lol… alsoalso, NONE OF US ARE MAKING MONEY ON OUR WORK. HE IS. WHICH NEGATIVELY EFFECTS US BECAUSE IT IS AFFECTING HOW WE W. DERP] 

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[eden is allowing me to name her in this post now]

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[^^^ just one of a few that was linked]

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[^^^^ proof that he was contacted 6 months ago about monetizing videos. despite the fact he said claimed he only started 1 month ago. proof that he waited a bit and then just turned it back on when eden stopped checking.]

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[^^^setting this here as proof he is monetizing in case he turns it off lol]


Aaand that is where we are at this very minute. I will likely update this post via reblog as the situation changes, but good lord, y’all. Can we please work together to take care of this guy? I can’t stand that he seems to be getting away with this behavior.


[THE ACCOUNTS]
(as tempted as you may be after this post, DO NOT HARASS THIS USER. just look for your content and report it at your own discretion. if you do harass him, he might use your words as proof he is being ‘wrongly harassed’ … and he will definitely hide the videos again, so that no one can report their artwork. please report discreetly.)

Youtube channel #2 [monetized – channel #1 is gone, deleted by youtube sometime in january]
Youtube channel #3 [new channel; as of 7/25, it is not yet monetized]
instagram
tumblr

I apologize for going anon on you, seeing your inbox note. I’m aware I probably won’t be answered. Earlier on Twitter you talked about popularity and social media. I have a personal situation and I wanted to know your thoughts, even if it might be harsh. I know notes =/= worth. I like what I make. I was also bent on improving. Yet it hurts when I barely get recognition when I’ve been in a fandom for years. I don’t feel like I exist. –

– Plus I’ve become a little jealous over someone with same interests yet
they’re popular. I try to avoid them, but I see their stuff everywhere.
Their existence reminds me of my own ‘failure’. It’s not that I want to
be wildly popular. I wish more people cared. I do feel as though
communities aren’t as supportive as they could be. Thank you for taking
the time to read this.
       
  

I really don’t make a habit of answering anons, but if you have something that’s sincerely upsetting… well, it’s very hard for me to ignore that. We’ve all got weaknesses and sometimes it’s really super hard to talk to anyone about them.

No worries anon, I think this is something a lot of people struggle with. I don’t claim to know the answer, but I can certainly give you my two cents.

For anyone who doesn’t follow my Twitter (it’s a mess, I don’t blame you), this is the thread they’re referring to:

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In addendum, it’s really easy to say things like recognition don’t matter. Numbers don’t matter. Twitter doesn’t lend well to talking at length about sensitive subjects, so I didn’t really delve into that part of it.

If I sounded like I don’t have my own problems with envy, don’t be fooled! I think even at our best, we all experience envy of others. No one is perfect, and we all crave what we lack, even if it’s not from a place of malice or ill-will.

It’s a really rough struggle, I’m not gonna lie. Things like natural advantages/disadvantages can take their toll (natural talent is a thing, friends), things like dumb luck can be downright infuriating. And a lot of times, that’s what it boils down to – because everyone works hard when they’re passionate about something. Sometimes, it’s about being in the right place at the right time, being born into an optimal environment, having the right resources, being in the right fandom, stumbling into the right group of friends, etc. Hell, the professional world is more often about networking than anything else, and that’s kind of a version of that.

Long story short, there are too many things out of your control. Which to me, is yet another reason why you shouldn’t beat yourself up over lack of popularity. Not to say that hard work and self-improvement should be thrown out the window, that’s not the point I’m trying to make; I’m just trying to say that there’s so much more that needs to be taken into consideration before you beat yourself up over low followers/likes/etc. (Not that you should ever beat yourself up for that)

So I suppose my advice is this: go out and make friends. Tailor your experience so that you no longer care about those numbers, or at least care less. Baby steps. Get more excited about sharing your work with close friends than posting on your blog and watching notes come in. Show your work to people who really matter to you – more often than not, a few kind words from them will mean more than 100,000 likes from some random strangers. If you think a community isn’t very welcoming or accepting… then look elsewhere! Other social media sites, other fandoms if you have to. No two places are the same.

Get more excited about self-discovery. Get more excited about self-improvement, learning something new. Your world is about you, your thoughts, your experiences. Not the opinion’s of random people on the internet. If you love something, if you enjoy something, they don’t matter.

It’s often a very slow process, learning to let go of envy and jealousy. I’ve only loosened my grip on it, it’s still there. I still feel petty and gross whenever I see an artist half my age and twice as talented, and I wonder, what sort of luck did they have? What silver spoon were they born with? Must be nice, I think bitterly, and then I catch myself and have a nasty taste in my mouth until I can let it go. Remind myself they’re a person too, and never wished to be better/more popular/successful to put others down.

Nobody is perfect. We all have our strengths and weaknesses, and at the end of the day, only you can make the art you make. No one else can, not even so-called master artists. They don’t have your mind, your eyes, your touch. Only you can bring your art into the world.

Life is fleeting. Enjoy yours as best you can, be happy. There’s more to life than comparing yourself to others. More to life than art, even. There’s tasty food to be eaten, new places to visit, new friends to make.

It’s little things like these that help me loosen my grip on envy’s hand.

And on a lighter note… do you even want to be popular on this hellsite. ‘Cause let me tell you a thing, back when I had, I think I peaked at around 80k (maybe 100k) followers on my old blog? The amount of harassment I got was ridiculous. Turning anon off at that point didn’t even work, I’d get just about everything under the sun on par for internet culture. Popularity means visibility, and holy shit that isn’t always a good thing. I’m 10000000% happier in my tinier fandoms, and I hope I stay here.

shrineart:

the-ace-escape:

kamiyu910:

harmonicstupidity:

trilllizard420:

harmonicstupidity:

Genuine question, what is “gay-coded?” From the looks of it, I can guess it’s something that appears to be gay without confirmation. Sounds a bit like stereotyping to me but idk.

So yeah, anyone help me out with this Tumblr Term of the Week?

yes, it’s massive stereotyping on the part of shitty fanbases 9/10 because every lesbian has to have a short pixie cut or that stupid undercut

Well.

That’s pretty god damn disgusting to be perfectly honest.

I can’t believe how many times I’ve seen people get upset because a video game character, or character in a tv show, turns out to be straight when she has some sort of pixie cut or something. 

Oh, and don’t forget only lesbians can wear flannel, too. 

Instead of ignoring stereotypes, apparently we’re all supposed to be embracing them and being them… hah.

Not necessarily

When a character appears to be queer/lgbt+ it could be because they have a strong connection to a character of the same gender or they don’t seem to have a huge connection to their own gender/doesn’t understand having a connection to their gender.

Say, two characters that longingly look at each other all the time, you know if it was a guy and girl, they would of hooked up ten seasons ago. Or a character that does not engage in relationships could be seen as ace/aro or even gay if those characteristics are shown to only a different gender.

With bi/pan characters it’s a bit harder but from my understanding a character will say anything BUT “I’m bi/pan” which you know is chill but gets annoying when it’s every. Character. Ever.
“Idc about their gender” “I’ll date anyone” “guys/girls it’s all fine with me”
Another one is where they’ll behave similarly in the romantic/sexual sense to two characters of different genders. Yet they’ll only ever be considered straight.

Overall it’s this consideration of if these characters weren’t both men/women/any other gender. They would of gotten together.

As for gender it could be that “oh I was born a girl, but…"I only ever hang with the guys, understood guys, dressed like guys. Etc” Whatever which doesn’t necessarily mean they’ll be trans but in the history of television you’d think one of them would go on to live their lives as a guy and not a tomboy. Vice versa for trans women. As well characters could grow up being treated as a different gender and instead having heartbreak of “but I’m the gender I’m born as” it would be nice to see them going, “yea I’m, x, I grew up as x and I identify that way and no my parents didn’t “force” me.“

So no it’s not just looks based and there are many different elements that go into queer-coding besides pixie cuts and flannels.

Oh another part to add on is that studios will drop hints that “oh something gay COULD happen this season ;)” and they introduce a gay character for one episode and that’s all the representation you’ll get for the entire show.

That’s the thing though. Folks on tumblr are jumping to a lot of stuff being queer coding based on minimal things like haircuts. What you’re talking about it actual queer-coding! Which is frustrating! But like a lot of buzzwords on tumblr kids kinda latch onto it and start using it for very watered down things like “This character is obviously queer coded as a lesbian because she has short hair and therefore you can’t ship her with men”.

Which is a problem.

Same thing is happening to terms like pedophilia where people literally will state that two adults of age with a significant age difference is pedophilia. Or characters that happen to be short suddenly we have to have a debate over whether their relationship is pedophilia or not. (these are only two examples, I have a laundry list of shit tumblr thinks is pedophilia that is not at this point)

Basically it people taking the actual content and then running 60 miles to an extreme direction with it and using the term to give their claim legitimacy.

Real queer coding exists and can be very frustrating and annoying. But tumblr’s idea of what it is is often not what it actually is. “This character looks like a lesbian so canonically she is a lesbian no matter how she behaves in the show, what her relationships are, etc” is a viewer’s bias not inherently queer coding.

And dear lord, as a queer person, can I just say I hate the whole “Ohhhh look at the gay” in advertising is annoying as hell. Another thing that bugs the shit out of me that happened in a show I was watching was them breaking up a canon gay couple because one of them suddenly realized she had interest in a dude. (not just any dude, the mouth breathiest mouth breathing nerd I’ve ever seen) That could have been a platform for talking out feelings talking about being bi/pan. Nope. Gotta split up. It’s impossible for a bi/pan lady and a lesbian lady to be in a relationship or something. 

freckledoctopus:

glitchmeow:

anime:

why do anime girls from the 80s and 90s look so much better than anime girls today

Three factors: Color, personality, and realism.

First, color and shading.

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vs.

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The predominant style of the day in anime employs very crisp cell shading and eye-watering colors. Both female and male hair and eye coloration comes in any range of colors, from neon to pastel to white (although female characters most often display this). The typical color for skin in anime has gradually lightened to almost pure white over the years. Additionally, modern anime has a very specific, hard method of shading and highlighting that makes hair and skin look unnaturally shiny and often gross, lowering the realism value and throwing the texture of the skin into uncanny valley territory.

Secondly, anatomical proportions. Besides the shading, female character body and facial proportions have degraded so much that they are barely caricatures of human anatomy. Here are some examples of female anatomy in early anime:

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and some in modern anime:

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The biggest changes have been to the breast to waist proportion. For some reason, anime producers believe that an E-cup is the appropriate cup-size for an average 14 year old Japanese female. Bodies have also lost all of their depth (that come from an illusion of thickness necessary to two dimensional media) in favor of being skinny and flat (except for voluminous breasts, of course) and many normal, attractive parts of ladies (ribcages, stomach pooches, and natural folds) are simply smoothed over. Another noticeable change has been to the eyes and facial shape. Anime noses and mouths are apparently inversely proportional to eye shape, size, and distance apart. As the size of the eye increases, shape becomes more prominent, and distance towards the ears increases, the size of the nose, mouth, and chin decrease, contributing highly to the uncanny valley effect many modern any girls have.

Take these faces:

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vs these

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Thirdly, anime girls have lost much of their visible personality over the years due to moefication. This has happened to male characters also, although to a lesser extent. Anime girls are often not allowed to make cartoonish expressions (deemed unattractive) or generally change their expressions at all barring blush lines. In producers’ efforts to make the girls attractive to the audience in every frame, they sacrifice any personality that they might have. Anime girls look increasingly similar to one another, differentiated only by their hair style and eyes. Granted, there has always been a problem with female character same-face syndrome since the conception of anime (actually, in all drawn media) but as the number of female main characters in anime has grown, ironically, the problem has only increased.

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Wow! Anime girls with the same hair color that you can actually tell apart!

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And somehow, girls with all different colors that you can’t.

The screenshots in this post were taken from Urusei Yatsura, Neon Genesis Evangelion, Nadia: The Secret of Blue Water, Ranma ½,  Kimagure Orange Road, Ping Pong Club, One Piece, Angel Beats, Higurashi When They Cry, Sword Art Online, Shakugan No Shana, and Chobits. The examples above were not used to bash any anime, but merely to demonstrate the evolution of anime art tropes from the 1980s to now. The writing and plot of each anime were not taken into account at all.

So i definitely agree with some of these points for sure! but it also rubs me the wrong way just how biased some aspects of this post is because its blatantly comparing the best examples against the worst examples?

Ultimately its a style shift, just like how theres been a shift with western cartoons as well, meaning some stuff has gotten better and some worse.

I agree with the critique on body types, but your examples for expressiveness and same-face I think is rather unfair. Plenty of 90s anime also suffered from giant eyes tiny face syndrome, like Saber Marionette or Slayers 

while 2000s+ have lots of examples that break this mold too, like Full Metal Alchemist Brotherhood and Mob Psycho 100

however i do agree that there has been a trend in more of the needs-to-be-cute-all-the-time thing which is valid criticism

i think the greatest misleading aspect to this post specifically is the last part about expressions, because its comparing frames from in-motion animation to promotional art. Take promo art of Sailor Moon and anyone would admit its very same-face-syndrome, yet there’s lots of examples of these characters expressiveness in the anime itself

stills of anime like Konosuba and NIchijou are also very expressive despite the promo art too —and dont adhere to the “not allowed to make cartoonish expressions” rule. i feel recent anime has been moving away more from that trend

Modern anime is also producing great stuff like Your Name, so I guess it’s also a matter of taste as well because i found this movie to be beautiful and the character design/style very appealing. technology has come a long way!

idk i guess my point is, i agree with part of the message of this post, but anime on this site so often gets painted with broad strokes in a bad light, to the point where jokes like Anime Was A Mistake get dropped often and earnestly, at least from what i’ve seen. Theres bad examples out there, but a lot more good examples too than what I think a lot of people would expect ^_^

when-i-learned-to-fly:

cause-im-insane:

jessicalprice:

graemem:

postcardsfromspace:

taikonaut:

medusamori:

terrasigillata:

judeoceltische:

cupidsbower:

sidneyia:

glorious-spoon:

shinelikethunder:

glorious-spoon:

sidneyia:

I realize most people on here are too young to remember the Bush years but when you guys frame your SJ posts as “you hate[x]!!! why do you hate [x]???” it sounds an awful lot like how Bush supporters would scream WHY DO YOU HATE AMERICA???? whenever anybody would criticize the president. 

So that’s something to consider if you want to reach people over 25. Because most of us have an extremely negative conditioned response to that type of rhetoric.

Yeah.

There’s a surprisingly sharp generation gap on Tumblr–when I first got on the site in 2011 it was between high-school age and college age, but I don’t think it’s defined primarily by life stage or maturity level, because it’s tracked steadily upward ever since. Anecdotally, right now the split seems to be centered around age 23, plus or minus a couple of years on either side, which corresponds roughly to the birth years 1990-1994. My hypothesis for the generation gap boils down to “how old were you on September 11, 2001?” Those solidly on the older side of the gap were at least vaguely aware of a pre-9/11 political landscape, witnessed how disruptive the first term of the Bush administration was, and have a visceral reaction anything that smacks of neoconservatism or Religious Right propaganda. Those on the younger side attained political awareness in a world where the changes wrought by the Bush administration were the new normal, and their right-wing bogeyman uses Tea Party and GamerGate rhetoric.

So for the record, Bush-era “innovations” that unnerve the FUCK out of people on the older side of the generation gap:

– Casual acceptance of fear as an excuse for hatred and pre-emptive retaliation

– An “ends justify the means” approach to stamping out the slightest trace of vulnerability, no matter how repressive the means, or how slight or unlikely the potential harm

– “If you’re not marching in lockstep with us, you’re one of THEM, why do you hate all that’s good and noble?” / “Dissent and safeguards against the abuse of power just give aid and comfort to the enemy” / “Don’t you SEE that insisting that the protections of civil society apply to THOSE PEOPLE is just going to GET OUR PEOPLE HURT, YOU’RE HURTING PEOPLE YOU MONSTER”

– Anything that smacks of religious-fundamentalist logic or rhetoric

These things are not normal. These things are not how just societies are built. They are the hot water that an entire generation of lobsters has been raised to swim in without noticing. The undercurrents in the internet movement calling itself Social Justice that disturb the older generation are, essentially, the dirty tactics of the Bush administration and its unholy marriage of neocons and fundies–rebranded with a new set of acceptable targets, but with the tactics themselves unquestioned. Are they the younger generation’s fault? Fuck no. They’re what happens when the most culturally and politically powerful nation on Earth tries to pretend it’s moved on from the Bush years, but without ever having confronted the devastation those tactics left in their wake, dismantled the self-sustaining fear-and-repression machine, or held the perpetrators accountable for their officially-sanctioned torture, shredding of civil liberties, and thinly-justified wars of aggression.

So if I were to do the annoying geezer thing (at the ripe old age of 27) and Address The Youth, I guess what I’d say isn’t just that most people over 25 get an overwhelming urge to throw up in their mouths at the slightest sign you’re playing “but why do you hate freedom” Mad Libs. (Although that’s true.) It’s more than that. It’s that “why do you hate [x]???” belongs to an entire toolbox of fear/attack, ingroup/outgroup, and absolutist tactics that we’ve left lying out without bothering to re-affix the giant warning labels that they aren’t normal, or necessary, or even effective over the long term, however tempting they may be for a quick fix. And that it’s okay to refrain from using them.

The bad guys will not win if you ease off the attack a little and give your opponents room to tell you where they’re coming from. Opening yourself up to argument-counterargument with Bad, Unacceptable, Forbidden ideas is a form of vulnerability, but finding and evaluating the weak spots in your beliefs ultimately strengthens them and strengthens your ability to win people over to your side. Doubling down on the repeated assertions that you shouldn’t even have to argue and that disagreement is harmful or immoral is an alluring way to get what you want in the short term, but it produces superficial compliance out of fear rather than genuine agreement, and the backlash it causes is ultimately more dangerous than the vulnerability of opening yourself to disagreement. And it blinds you to the possibility that you may not be entirely in the right. This isn’t some MRA sneak attack to manipulate you into ceding ground. This is how discussion normally works in a functional society. You have been handed a dysfunctional, toxic system for exchanging ideas, in online SJ as well as in wider politics–and no, it’s not normal or effective, and no, you do not have to buy into that system’s claims that it’s the only thing standing between the innocent and an orgy of destruction and victimization. 

The strangest thing about this is that I would not consider myself particularly old (does anyone?) but I was in my late teens on 9/11, and yeah. This is exactly what I find unnerving about the approach of some younger people to SJ issues. For a long time I just put it down to (im)maturity, but I’m really starting to think that there’s something fundamentally toxic and broken about the way our country has been approaching these things for the last 15 years or so. That kind of black and white, ‘if your fave is problematic then they’re basically the antichrist’ thinking that demonizes and squashes any kind of disagreement is really unhealthy, and it’s something that is learned.

Same, I’m 30, married to someone older than me, and we have a lot of friends in their 40s/50s. People I encounter on a regular basis comment on what a “baby” I am.  I was 15 on 9/11. I’m not like. Ancient. But there is a definitely a difference between how people my age discuss issues versus how younger folks discuss them. Neons have really done a number on out ability to talk about stuff. 

This would explain a lot about how fandom conversations have been going down recently. The absolute us/them nature of some of them, and the way SJ tools are used to bully people in order to win an argument.

I thought it was largely to do with Tumblr being a poor design for actual conversation, but this makes more sense, given the patterns I’ve seen.

I…think that most of the people on Tumblr will get older. The no holds barred, right or wrong, FUCK YOU surety is part of being a teenager. Then you get it knocked out of you and learn to nuance. Both phases have value. What I’m saying here is that I think it’s more developmental than generational.

I don’t understand what this has to do with 9/11

9/11 largely serves as a convenient symbolic marker for a severe shift in public discourse– I was 14 when it happened and I very clearly remember the before-times socially and politically and the after, when there really was a huge public shift in the way things were discussed, and how people in my age group and a  little younger responded to things like “national tragedies,” “us vs them,” good vs evil" etc?

Kind of dumb example but I think is illustrative– when we were 12/13, the year before 9/11, a group of kids went to DC and New York and visited all the war memorials. People whose uncles and fathers had fought in Vietnam visited the wall and Arlington, were moved, went through all the ceremonial stuff, but not to the point of dramatic hysterics. Maybe two/three years after 9/11, many of the same kids went to Pearl Harbor while we were on tour in Hawaii and everything was prefaced with this really jingoistic Us Vs Them language, and half the group spent the entire time bawling performatively. There were also a lot of recriminations for not engaging in the theatrics, because it wasn’t showing Proper Respect to Our National Heroes, none of whom any of these kids could have known because they all died in 1941.

My little brother is only 22 months younger than me but he doesn’t really remember the day at all, and doesn’t really remember anything about the politics or big news stories from beforehand, whereas I very clearly remember having an opinion about the 1996 election and my The Talk with my mom was kicked off because of the Clinton impeachment. 9/11 kicked off a lot of the worst of what we see in American political discourse today, and so people who don’t remember it as clearly or the time before may have different outlooks, especially in the States.

On the one hand this is a fairly enlightening take on the somewhat rabid state of what passes for online discourse these days.

On t’other, remind me again why we haven’t built a wall around America yet?

This is a fascinating conversation. I think there’s more to it than this–the way digital social spaces intersect with social phenomena informs the discourse hugely–but there’s a lot here worth considering.

It also occurs to me that a lot of us who were old enough not only to remember 9/11, but also to be aware of the shift in public discourse around it, are also old enough to remember the Cold War, or at least its last lingering throes. 

I’m 32, and I grew up with parents who were very active in the nuclear freeze movement. One of the fundamental truths I absorbed very early was that us-vs.-them absolutism and refusal to compromise and engage in good faith with ideological opponents wasn’t just stupid; it was deadly–potentially on a massive, global scale. I remember projects to hook U.S. kids up with penpals in the U.S.S.R. in hopes that we’d learn to see each other as people and so maybe not end life on fucking Earth if by some miracle our parents didn’t beat us to the punch.

And that approach was critical to the peace movement in general: humanizing the enemy. Trying to find points of connection; to learn to disagree humanely. That was a core, fundamental value of my childhood, in ways that were very closely and directly linked to the contemporary geopolitical scene; and they’re philosophies that continue to profoundly inform and steer my discourse and my approach to conflict–personal and political–as an adult.

Which is part of what scares the shit out of me about the discourse I see online, especially from the left: it’s all about radical dehumanization. I see people who are ostensibly on my side casually call other human beings trash or garbage or worthless. Scorch earth. Go to unbelievable lengths to justify NEVER engaging. Meet overtures to peace or steps toward change with spectacular cruelty.

I mean, I’ve seen variations on this exchange more times than I can count:

“[group x] are people, too.”

“No, they’re not.”

And then people LOL, and I don’t even know where to start, because–No. You do not say that. You do not EVER say that. EVER.

And I can so easily imagine how terrifying it must be to grow up in that–to be 15 or 16 or 17 and just becoming, and trying to find and place and grow into yourself in that kind of violence, and–

–to paraphrase someone profoundly and complexly flawed and still a person worth paraphrasing: Remember, babies, you gotta be kind.

Rachel is so very, very spot-on here.

There’s a lot of good stuff here, and part of what it boils down to, especially with regard to fandom, is:

1) “This piece of media upholds a status quo or supports a position that marginalizes people” != “This piece of media is worthless and anyone who likes it is a horrible human.”

2) The flipside of the above, which is “I like this piece of media” SHOULDN’T = “This piece of media is perfect and I will shut up anyone who criticizes it.”

It’s okay to like problematic things. It’s okay for other people to like problematic things.

It’s not okay to say that because you like something, it’s not problematic and people can’t talk about how it’s problematic. 

It’s also not okay to say that because something is problematic, other people can’t like it, that they’re wrong to see things that speak to them in it, etc. (Note: I’m not talking about if the problematic elements THEMSELVES are what they like.)

I just thought I might add something to this conversation from the other side, since I was 1 when 9/11 happened.  I can’t remember what the country was like before Bush, I can barely remember the Bush administration itself, and when I was reading earlier in the post one of the things that hit me hardest was the line:

Opening yourself up to argument-counterargument with Bad, Unacceptable, Forbidden ideas is a form of vulnerability, but finding and evaluating the weak spots in your beliefs ultimately strengthens them and strengthens your ability to win people over to your side.

I’ve been trying to make sure I don’t fall into the trap of hateful rhetoric that’s everywhere in our media, but even I realize I’ve internalized this idea that  looking at the other side’s beliefs is somehow a poisonous and traitorous thing to do.  The phrasing that @shinelikethunder​ used perfectly describes the line of thinking that I’m trying to get out of my head and my thought process.  That conceding on any point is giving up or giving in.

More importantly, I didn’t realize that this wasn’t always true, that this thought process isn’t normal to some people, and I have to thank everyone for having this discussion so that I could find out.  I thought it was just an American thing.  For example: Trump, his nomination, and his presidency haven’t surprise me that much.  He is only the continuation of what I’ve seen in my life to be standard politics, and his hatred a normal thing.

Anyway, I just thought it might be useful to have input from the younger side.

I was also 1 when 9/11 happened but have seen the personal,
and negative, effect of the “us vs them” rhetoric on my generation. Especially
on the kids who would join the SJ movement but are ostracized by the posts that
target their identity. And yes I am talking about the non-minorities, but hear
me out, please.

Kids who come onto this website at an age where they are
already unsure of who they want to be, especially in the younger teen years, are
hit with a wave of hate toward what they might consider as the one only
definite parts of their identity: their gender, sexuality, religion, or race. Please
note that I’m not saying to shelter privileged people from that fact that they
are unaware of reality. I’m asking that people of my generation don’t hate and
refuse to discuss as you have mentioned above because it doesn’t help anyone to
act this way.

I have tried to open conversation on posts that take the “you
are disgusting if you think ______” stance, and have been received with hate
and anger. My point is that I, a 16 year old kid, have come this type of
rhetoric as scary because of how it has changed my life and how it changes the
lives of other kids like me, who yes are privileged, but want to help.

Ultimately, we don’t just lose the people who remember before
9/11, we lose the people who might want to be our allies but feel like they
aren’t allowed to be a part of these movements, because they aren’t the
minority. Or even worse, that we have become their enemy because we seem to hate
them without trying to let them help us, or showing them why we really are
right.

PSA: Some wheelchair users can *GASP* walk

guardianofbelief:

ischemgeek:

annieelainey:

tiny-seedling:

annieelainey:

annarosewanders:

questionall:

cutieyama:

annieelainey:

Wheelchairs are used for many disabilities; it could be very painful to walk, one may lack the strength to walk, have hyperflexibility, shortness of lung capacity, fragility of joints, muscles, skin etc. 

REBLOG so people STOP harassing wheelchair users when they stand up and even WALK out their chairs in public.

I hardly ever add comments to posts but i feel the need to add on. A couple years ago i was in a wheel chair because of my chronic illness. I went to an amusement park with my school and each time we’d go on a ride the people who work there must ask if i was able to walk onto the ride. A lot of people found this offensive (my sister is working at disney world and she told me that whenever there is a wheel chair the cast members must ask if they are able to walk.) I of course told them i was able to walk and when i got out of my wheel chair i got so many bad glares. After that field trip i was bullied the rest of my highschool life because people thought i was faking it. It got to the point where these girls from church ended up breaking my wheel chair. Please please stop harassing people who use wheelchairs.

There are many times when due to breathing difficulities I’ve had to use a wheelchair or motor cart in the store or other places. That doesn’t mean I can’t walk or others can’t walk but it does mean we can’t go far and we do need the assistance. It’s no ones business judging people who need the help. No one should feel bad for using what the need when they need it.

I grew up with a bone deformity in my feet in ankles that was not visible to the eye and I was still able to walk. After walling for any more than about 30 ft my feet would begin to hurt so bad I could barely function. My family took a trip to disney world when I was 9 and I needed to use a wheel chair. I specifically remember hearing a woman scoff and growl about how lazy and disgraceful I was but also my family for raising such a lazy child. And this was just because I got out of my chair to go hug Tinker Bell. Please stop harassing wheelchair users who can still walk. You made an 8 year olds first trip to disney a lot worse than it should have been.

Keep telling your stories ❤

I remember a trip to the museum back when I was 10 and my Complex Regional Pain Syndrome was just starting to spread. I hadn’t been able to be in school much, so I was so excited to finally be able to be a part of a normal, exciting day with all of my friends. I hesitantly borrowed a museum wheelchair in lieu of using crutches; I felt very vulnerable and sort of embarrassed needing to be pushed around, but I wanted so so badly to be a part of the big day. After a couple hours, I set the wheelchair aside to go to the bathroom, and then lowered myself into it when I got back out. A museum guard went fucking ham, telling me I was lazy and entitled. I hadn’t fully explained my disability to a lot of my classmates, so when they gathered around to watch the shit show, I was so crushed and embarrassed. Because of that one incident, for years, I was hesitant to ask for extra help when I needed it and I ended up worsening my condition long-term. Respect ALL wheelchair users. Treat everyone you come across with respect. You are not always entitled to an explanation.

Gonna reblog this every time I see some foolishness on or offline about someone thinking a wheelchair user is “faking” because they stood up and walked some. This time it was a YouTube video and the comment section, a curse on both their houses!!!!

Dear folks who think these sorts of posts don’t do anything: A few years back, one of these kinds of posts was circulating in response to a that meme about “fakers” with the woman standing from her wheelchair. The folks talking there really opened my eyes to how common it is for a wheelchair user to still be able to walk (this despite the fact that I’d used one temporarily when flying with a bad knee injury and that my gran needs one occasionally when her arthritis is bad). Before that, it wasn’t really something I’d thought about much, and I admit I’d made those jokes and shared those memes out of ignorance and societal ableism/fatphobia.

A few months later, I happened to be with someone in the store and we saw a guy in a wheelchair get up to reach something. The person I was with was really offended and started making some fatphobic comment about how he was probably “just too lazy” to walk. I relied, “How do you know? There’s a lot of things that can make you need a wheelchair that aren’t paralysis. Heck, I used one when I was fifteen and had a really bad sprained knee because the airport wouldn’t let crutches past security and I couldn’t walk.” 

“Oh. I didn’t really think of it that way.” 

“It’s ok, just… do think of it that way next time. I can tell you from experience using one of those is a total pain in the ass. Trust me, he wouldn’t use it unless he needs it.”

Telling your story and how that shit affects you in real life has real-world consequences. So keep telling your stories. You make the world a better place because at least some of the folks reading them take it to heart.

I broke my foot a couple of years back and eventually found out I had a condition that made the bones in my feet grow excessively

My sister and I eventually got  surgery for this condition and ever since I’ve had chronic pain in my feet. The scars are mostly gone and you’d never know how bad I hurt unless I say so.

There was a day my family and I were shopping and I moved into the store to get a mobile cart. The store associate by the door looked at me and said

 “Those are for people who really need it.”

I looked her straight in the eye and said “ I know.”

I used the cart the entire trip and we even stopped at Customer Service to talk  to a manager.  I found out that this wasn’t the first time that particular associate has done this before.

Own your illness or condition. No one has any right to tell you that you’re not in pain or that you can’t use what you need. You don’t owe anyone an explanation or a reason. Need a wheelchair? Ask for it. Need help or support ? Ask for it.

Yes it’s hard and it’s embarrassing sometimes. But treat your body like your best friend. If you’d fight tooth and nail to make sure they’re safe, happy and comfortable do the same for yourself.

Take care of yourself.